2003-2006 Masters in Fine Arts, School of Art & Art History, University of Florida, Gainesville, FL
2000-2002 Post Baccalaureate Studies in Photography, Georgia State University, Atlanta, GA
1999-2001 Bachelor of Art in English and Minor in Studio Art, Emory University, Atlanta, GA
1997-1999 Associate of Art, Oxford College of Emory University, Oxford, GA
Solo and Two-Person Exhibitions
2016 Joy Drury Cox: Book Works, New Hampshire Institute of Art,
Roger Williams Gallery, Manchester, NH
Please Print Legibly, Institute 193, Lexington, KY
2015 Pockets, Lump, Raleigh, NC
Method (with Wendy Collin Sorin), Golden Belt Studios, Durham, NC
2014 Stranger, Workshop at Christian Berst, New York, NY
Or, Some of the Whale, Launch F18, New York, NY
2013 Given Shapes, F.L.A. Gallery, Gainesville, FL
2011 Some Titles in a Library, Old School on Mott Street in conjunction with
The New Museum’s Festival for New Ideas, New York, NY
2009 Joy Drury Cox and Ann Woo, Humble Arts Foundation, NADA Art Fair, Miami, FL
Text. (or in the vacancy of), Greenlease Gallery, Kansas City, MO
2003 Joy Drury Cox and Kim Hoeckele New Photographs, Saltworks Gallery, Atlanta, GA
Selected Group Exhibitions
2016 Anywhere But Here, Lump, Raleigh, NC
The Authority of the Book, Turchin Center for the Visual Arts,
Appalachian State University, Boone, NC
n e w f l e s h, Rubber Factory, New York, NY
Continuum, Light: Art + Design Gallery, Chapel Hill, NC
Camstellation, Contemporary Art Museum of Raleigh, NC
2015 Neo-Pre-Post-Contra-Para-Anti-Hyper-Pro-Trans-Ultra-Photography, Spectre Arts,
Durham, NC, Curator: elin o'Hara slavick
METHOD with Wendy Collin Sorin, Goldenbelt Studios, Durham, NC
The Nothing That Is: A Drawing Show In Five Parts, CAM Raleigh, Raleigh, NC
Curator: Bill Thelen and Jason Poland
2014 Artist/Novelist, The Lewis B. and Dorothy Cullman Education and Research Building,
Museum of Modern Art, New York, NY
The Whales of August, Wayfarers, Brooklyn, NY
Cross-Reference, Emory University Visual Arts Gallery, Atlanta, GA
2013 Home, Station 21, Zurich, Switzerland
RANSOM, Wayfarers Gallery, Brooklyn, NY
(con)TEXT, Sharon Arts Center, Peterborough, NH, Curator: Tim Donavan
1XX, Launch F18, New York, NY, Curator: Sam Trioli
2012 Bound to Printed Matter, Howland Public Library, Beacon, NY
STARDUST, 1591 Gallery, Rahway, NJ
Hidden in Plain Sight, Cindy Rucker Gallery, New York, NY
Curator David Andrew Frey of Culture Hall
Small Prints, Flash Forward Festival, Boston, MA. Curators: Jon Feinstein and Amani Olu
2011 A Strange Sense of Calm, Botanic Gallery, Brooklyn, NY
One If By Wanderlust, 25 CPW, New York, NY
Tuesday, Mixed Greens, New York, NY. Curator: Amani Olu
The New Show, The New School Employee Art Exhibition, Fine Arts Gallery, NY, NY
2010 In Advance of a Lecture, Humble Arts Foundation, NADA Art Fair, Miami, FL
re:Context, Cindy Rucker Gallery, New York, NY. Curator: Brad Silk
Nowhere: Selections from the Hand Drawn Map Association, Arcadia University
Art Gallery, Glenside, PA. Curator: Kris Harzinski
MUSEUM ALL-OVER, John Erickson Musuem of Art with the Raccolte Frugone Museum,
Little Wonder, John Erickson Museum of Art at Golden Thread Gallery, Belfast,
Structures and Subversions, Slocumb Galleries, East Tennessee State University,
Johnson City, TN
Chairs, LOOKbetween, Festival of the Photograph, Charlottesville, VA
1/1000 sf/ft, NC Music Factory, Charlotte, NC Curator: Dugg Dugg
2009 We Do Our Part, Envoy Enterprises, New York, NY
Linear Progression, Horse Trader Gallery, Brooklyn, NY
Evading Customs, Brown Gallery, London, England
FAX, The Drawing Center, New York, NY
Cleopatra’s: Trade Secrets, John Connelly Presents, New York, NY
Anonymous Drawings Archive Selection 2009, Fruehsorge Contemporary Drawings,
International Festival for Photography and Video, GoEun Museum of Photography,
2008 Anonymous Drawings No.9, Kunstraum Kruezberg/Bethanien, Berlin, Germany
Communication Breakdown, Andrew Edlin Gallery, New York, NY
Communication Breakdown (Part 2), Galerie Impaire, Paris, France
The Form Itself, Priska C. Juschka Fine Art, New York, NY
Curator: Michael Bühler-Rose
Nineteenth Annual Juried Exhibition, Viridian Artists Gallery, New York, NY
Juror: Elisabeth Sussman
Eggcartonopolis, HQ Gallery, Brooklyn, NY
Day Job, Fine Arts Gallery, Parsons The New School for Design, New York, NY
Mapping Correspondence: Mail Art in the Twenty-first Century,
The Center for Book Arts, New York, NY
Why + Wherefore, online exhibition, Curators: Summer Guthery, Lumi Tan, Nick Weist
2007 Apocalypse Wow, Jersey City, NJ
Videogarden, Long Island City, NY
Analogous Logic, Temporary Storage/ Brooklyn Fireproof Gallery, Brooklyn, NY
How Can You Be In Two Places at Once When You Are Not Anywhere At All?,
Live With Animals Gallery, Brooklyn, NY
2006 Applications, Thesis Exhibition, University Gallery, Gainesville, FL
2014 Stranger, artist book published by Conveyor Editions
2013 Or, Some of the Whale, artist book published by Conveyor Editions
2012 Old Man and Sea, artist book published by Conveyor Editions
2011 Mapping, Conveyor Magazine Issue No. 2
Everything is Dolphins, Timothy Hutchings, Ed.
2010 Breadlines, Yam Magazine. Hilary Schaffner, Ed.
2008 Blir Magazine. Jennifer Gomez Ed. Online magazine
She Told Two Friends, Online curatorial project
Irving Sandler Artist’s File, Artists Space, online exhibition
2007 The Agriculture Reader. No. 2. Jeremy Schmall, Ed. Winter 07. pp. 67-69
Dolan, Kathleen, “Local Tide,” Thru Media, Online review, February 21, 2016.
Luse, Mimi, “The Nothing That Is - A Drawing Show in Five Parts,” Frieze, Issue 175, Nov-Dec. 2015.
Vitiello, Chris, “Off The Wall,” Indy Week, Visual Art Section, July 22, 2015.
Moeller, Candace, “Summer Seafaring: Get Your Sea Legs at Wayfarers’ Ocean-Themed Exhibition,”
Bushwick Daily, Arts and Culture, Aug. 15, 2014.
Packham, Chris, “Text, Design, Emotion,” The Pitch, Vol. 29, No. 10, Sept. 10-16, 2009. p. 16.
Cotter, Holland, “Last Chance: Cleopatra’s: Trade Secrets,” Museum and Gallery Listings, Art and Design,
The New York Times, May 14, 2009.
Coburn, Tyler, “Rhizome News: A Question of Form,” Rhizome.org. September 17, 2008.
Cullum, Jerry, “Opposites, Attractively Juxtaposed,” Atlanta Journal-Constitution, Section M “Arts,”
October 9, 2003. p. 3.
Feaster, Felicia. “Inhuman Touch,” Creative Loafing, Volume 32, No. 22, October 9, 2003. p. 59.
Feaster, Felicia. “Point of View,” Creative Loafing, Volume 32, No. 15, August 21, 2003. p. 47.
Feaster, Felicia. “Bustin’ Out,” Creative Loafing, Volume 31, No. 39, February 5, 2003. p. 63.